About 'Alpha+Good'

Alpha+Good (sort of a bad wordplay on Orwell and machismo) is a side project that belongs to 'Onklare taal' ('Unclear language'), the umbrella of several of my literary projects in Dutch. This section is almost exclusively in English and comprises my ongoing thoughts on progress, gender, politics and various other social themes. Are you a little lost? This link will take you right back to my home page.

Friday, January 20, 2017

20 people I admire (XI): Dylan Moran

Who: Irish comedian and actor.

Why? Moran has an uncanny way of making observational, everyday comedy funny and original. In contrast to many other comedians, he doesn't rely very heavily on punchlines or politics, which is also a nice palate cleanser, but that doesn't mean his comedy can't be dark or serious. He just always sprinkles it with so much light-hearted perspective that it manages to be both incisive and light-footed.

What resonates with me? Moran was brought to my attention because I have a friend who was reminded of me when watching his character Bernard Black in the show 'Black Books', a chain-smoking, alcoholic and cheerfully misanthropic book shop owner with zero interest in keeping his business afloat. While I am none of these things, it's fair to admit that there is more Bernard Black in me than in most other people I know.

Best bit? There are many stand-out pieces, but I particularly enjoy his takedowns of the English as emotionally repressed people, with a "face where you can't tell whether they've just gotten married or just died."

Next up: Naomi Watts, Australian actress.

Thursday, January 12, 2017

It wasn't the working class

It seems to have become depressingly routine to describe the loss of Hillary Clinton against Donald Trump in the US Presidential election of 2016 as something inevitable, although it was anything but when the votes had not yet been cast. Trump's surprise win elicted a broad range of responses on the left, most of them sadly predictable.

If only if they'd chosen Bernie Sanders. If only we'd have spent more time connecting with the white working class. What if Joe Biden had run?

The truth of the matter is that while Trump carried a white majority, by far the biggest majority he carried was among the upper class, not the working class. And he lost the popular vote by almost three million votes.

Jacobin, a class-struggle stalwart with Marxist roots, panned a widely shared New Yorker cartoon that compared Donald Trump's election to a random passenger on a plane shouting he should be the pilot. The article claims it's emblematic of snooty liberal elitism that fails to factor in so many contextual issues that lead to this happening in the first place.

While the piece does a fair job at disassembling the cosiness of smug, vaguely left-of-centre liberalism, I think it's myopic in not metioning the tide of sheer hatred that carried much of Trump's campaign. Also, for its scoffing at liberal elites, I wonder how many blue-collar people actually read Jacobin.

The plane metaphor is too simplistic to put Trump in perspective, but so is Jacobin's expansion of it. His election is not a repudiation of liberal ideas - rather, he slunk through an incredibly narrow window of opportunity to almost fail into victory.

Democracy is in danger in all of the West, and establishment candidates are not the answer to the rising wave of racism and bigotry. Racism and bigotry that have been enabled by weak media institutions that favour ratings over actual reporting, and have been systematically gaslighted for years by reactionaries into giving them a platform for their fact-free bullshit.

One of the left's glaring errors, for just as many years, has been trying to reason their way into regressive people's hearts, or simply co-opting a softer version of their right-wing ideologies. Now, as Jeb Lund said, we can only hope that Trump and his ilk will fall apart so spectacularly that it shocks the system into provoking people who will work for actual change.

Sunday, January 01, 2017

20 people I admire (X): David Mitchell

(Okay, so when I started this series in 2015, I figured it would take me a year, but now we're early 2017 and I've just reached half of my list. Sorry for that!) 

Who: British novelist.

Why? Mitchell is a broadly ambitious writer who can get under the skin of his characters and portray them as actual human beings rather than props for a plot or an idea, which is always a hallmark of a great writer. He also doesn’t shy away from doing proper background research, and if you inhabit a world as big as the Anglosphere, it’s not evident to immerse yourself in the nuances of say, Japanese and Dutch culture. But Mitchell is keenly aware of these rich tapestries while never losing his very modern wit and sense of style.

What resonates with me? First off, the boldness with which he approaches fantasy elements within his novels that inhabit the same universe. Second, how his style and shift between genre tropes from different genres, and go from folksy to deadly serious to bleakly comical, all without making it seem effortless. Third, while his vision is often dark à la Margaret Atwood, his novels often make a stand for the value of humanity and being humane, no matter how hopeless it might seem in the face of such overwhelming evil.

Best bit? Particularly his closing speech at the end of ‘Cloud Atlas’, which constitutes a wild and sometimes confusing travel through several historical and future eras, but is tied together near the end with a strong sense of closure and a knock-out message as a palate cleanser for all that went before – or is to come – an exercise in ironic drama.

Next up: Dylan Moran, Irish comedian and actor

Sunday, October 02, 2016

20 people I admire (IX): Hadley Freeman

Who? American journalist with her home base in the United Kingdom.

Why? Though I get the impression she’s gotten a little out of the spotlight and has veered off into a number of side projects in the past two years (plus, she had a kid), there was always something about her dry, on-point delivery (if you can say that about written words?) and constant realisation of the futility of some of the topics she covered that made it a joy even reading reports about star-studded red carpet events.

What resonates with me?
Freeman and I are of the same generation and thus share many seminal pop culture experiences, although she is American and I am not. Beyond that, she gave me hope on days I was angry with the bullshit hurled around at every level, from the lowest common denominator in celebrity gossip land to the upper echelons of politics. No matter how depressing a topic was, Freeman would always broach it with the right mixture of seriousness and irony. It was a style I envied, in a positive way.

Best bit? I can’t remember. Bad. Sorry Hadley. Come back to The Guardian!

Next up:
David Mitchell, British novelist (not the comedian)

Friday, June 24, 2016

Dealing with progressive failure

Whenever a democratic process - a free vote, a referendum, what have you - produces an outcome that is ostensibly stupid, or, even worse, can trace its stupidity back to people taking action against their better interests, some progressives resist to scratch the itch of calling people dumb by laying the blame for the bad outcome at the feet of a system, a culture or some nebulous social trend. It happened when the US gave George W. Bush a second term, it happened when Berlusconi kept getting reelected in Italy and it's now happening with the Brexit.

In this piece, David Hopkins is one of the many to argue that our culture has dumbed down in the past decades and that there is a climate of anti-intellectualism. It has nothing to do with the Brexit as such but it was posted in a Twitter conversation about it between two people in my feed who can broadly be described as progressive intellectuals.

Hopkins' piece is not entirely serious but it is certainly not tongue-in-cheek. His complaint is also not new at all. Ancient Greek teacher and master of rhetorics Isocrates complained in the 4th century BCE that people venerated athletes more than wise men and that voters mistrusted honest politicians while praising people who were clearly sycophantic pretenders. Anti-intellectualism has been a force throughout the whole of Western Civilization, and possibly other civilizations, too, but I know too little about them to make that judgement.

However, two interesting questions remain.
1. Why does anti-intellectualism exist in the first place?
2. What motivates people to vote against their best interests?

"This is all we have"

In 2013, I wrote a piece for De Wereld Morgen (Tomorrow's World) - it's in Dutch, sorry - that cited research that seems to indicate that people on the bottom rungs of the social order cling a lot harder to the principles of the hegemony they are part of, even if these very principles cause them grief and pain.

This is not a repackaging of the folk wisdom that jocks hate nerds because they're secretly jealous of their intellect (although in some cases I suppose that could be true). The humuliation intellectuals often face in their formative years stem more from the idea that many of these young men and women have trouble adjusting to the hegemonic ideas of what makes for accepted behaviour, style and interests in society. I'll explain more down below.

I've also argued before in this essay - also in Dutch, sorry, but please consider learning Dutch, ok? - that the four main pillars of our social order are patriarchy, plutocracy, imperialism and superstition. Superstition has become more diffuse over the past few years (though it is scarily alive in a fanatical belief in the free market), but imperialism is still embodied by nationalism and racism, the idea that being rich is also being better is still alive and well (e.g. Donald Trump) and patriarchy may be under fire, but is still very much a thing.

Now, people in the lowest social strata turning to the imperialist pillar of the hegemony to feel better ("at least we're white!") and simultaneously cooling their anger on cultural minorities is well-documented. The fear of losing whiteness, Englishness or whatever other central idea about the self to a more mixed sense of culture is terrifying to people who have almost nothing else to feel confident about, because they sure aren't rich and aren't very much in tune with the current fads of holiness, whether it's holistic healing or free market orthodoxy.

Anti-intellectualism is, according to me, tied to toxic masculinity. And in that, I'm at least prepared to cede some ground to Hopkins's central argument: as more and more women are entering positions of power and more women than men earn university degrees, educational pursuits become devalued in the eyes of traditional masculinity. Sure, there are exceptions. The hard sciences, economics and applied sciences often get a pass and it's not a coincidence that a lot of political conservatives specifically rail against literature or philosophy education. It's also not a coincidence that these are fields still massively populated by men (science) or tied to the prevailing orthodoxy of the free market (economics).

So, because the socially maladjusted kid who prefers reading about Baudelaire or spends afternoons pouring over complex strategy games breaks the limited confines of the "man box" (the narrow idea of acceptable masculinity), his peers single him out for humiliation and gender policing. "We may not be rich, savvy or even white, but at least we're not pansies". It is also not a coincidence that anti-intellectualism is the second point of Umberto Eco's 1995 essay on Ur-Fascism, where Fascism is the hegemony on steroids, borne out of an intense frustration with the hegemony but unable to see past it.

Hatred trumps lucidity

So why do people vote against their best interests? Why did the socially less well-off of former English industrial areas vote for leaving the European Union despite the fact that they'll be struggling even harder under an unchecked neo-Thatcherite government?

A blogger who names herself Prester Jane has built on the theories of Authoritarianism from the Canadian psycholigist Bob Altemeyer and has coined the term "narrativism". I wrote about her, too - yeah, it's in Dutch again, seriously, go learn Dutch. One of the underlying ideas is that reactionary movements tap into really deep-rooted cultural sentiments that trump rational thought (pun unintended).

Hatred is an ugly human emotion, but an emotion all the same, triggered by elevated feelings of fear, being threatened and revulsion. A visceral hatred for the Other, whether they subvert the basic ideas of patriarchy, plutocracy, imperialism or superstition, is often enough to disregard other, more clear-headed arguments. If we consider Trump in the United States, that's very clear to see: he ripped off the band-aid of pretend holiness and liberty rhetoric to tap straight into the raw nerve of hatred in his constituency. They don't care he's thrice-married or used to donate to Democrats. Their emotional connection to his brazen racism, misogyny and get-rich-quick mentality is more important to feed their scarred self-confidence.

So, yeah, put very simply, some people vote against their best interests because they hate others more than they love themselves.

As a final note, a typical process of progressive handwringing must include musings about how progressive elites don't speak the language of the people or owe it to themselves that working class audiences have soured on them. I do not think this is because their ideology lost currency, but more because populist and reactionary politicians quite correctly perceive the majority of these progressives as complicit with the system that holds people down. If that is puzzling, that's human nature. There are feminists who admire rich and powerful women and turn a blind eye to their privilege as profiteers from an unequal economic system, just like there are militant atheists who have no qualms with misogyny.

The silver lining is that new movements are arising and will keep cropping up that actually can direct popular anger at the true enemies. Syriza ultimately was defeated in Europe, but its rise was hope-inspiring. So was the rise of people like Jeremy Corbyn and Bernie Sanders, Podemos in Spain or the PVDA-PTB in Belgium. It's not too late to use the downtrodden's very real frustration to unmask their real opponents, but it will take effort and it will take confronting a few uncomfortable truths. Yes, some people are stupid and hateful. But they don't have to be that way forever.

Friday, March 18, 2016

20 people I admire (VIII): Zack Parsons

Who? Internet comedy writer who started out as one of the main writers at SomethingAwful, then moved into writing novels.

Why? Parsons is likely one of the least well-known people on my list. Nonetheless, a decade ago his writing opened me up to the fact that you can find a comedy angle to nearly everything there is, especially the sometimes depressing world of early-aughts Internet. Parsons came from a place of essentially understanding the tragedy of pathetic MySpace pages, low-cost pornography or the shallow universe that C-list celebrities inhabit. In addition, he’s a smart and versatile writer who has an eerie knack for adopting and then doubling down on his imitation of the minds of people he mocks.

What resonates with me? Parsons can kick down without being totally mean about it. In one joke, he can both recognize that poor American whites are victims of a perverse political lie and simultaneously eviscerate their horrible racism. It takes skill to do that. Also, Parsons remains the creator of one of my favourite lines of comedy ever written: “There are two kinds of people in this world: people who hate or fear circus clowns, and people who are circus clowns.”

Best bit? Reportedly his novel ‘Liminal States’ is pretty good and very eerie, but out of the work I know him best for, I would say his soul-crushing reviews under the label ‘Horrors of Porn’ manage to capture his spirited vein of black comedy best.

Next up: Hadley Freeman, American journalist.

Friday, March 11, 2016

20 people I admire (VII): Margaret Atwood

Who? Canadian novelist.

Why? Atwood has it all. At once she is thoroughly of the now, what with her penchant for irreverently mixing genres, being a great feminist icon and a staunch humanist, and also somewhat of a chronicler of imagination. She damn well ought to be on the short list for the Nobel Prize of literature sooner rather than later.

What resonates with me? Her wry sense of humour and the subtle shadings of morality she makes her characters inhabit. Atwood is one of those writers who can get under the skin of her characters but doesn’t do sentimentality. She is grounded in multiple worlds at once, and manages to concoct a fusion of all these influences all her own. A model to look up to.

Best bit? Most people would probably say ‘The Handmaid’s Tale’, and sure, it is a modern classic that feels eerily prescient of the way fundamentalist regimes made the lives of women a living hell in Afghanistan under the Taliban, or the way reactionary American politicians speak about women and sexual minorities in ways they wouldn’t have dared when the book came out. For me however, her best novel is ‘The Robber Bride’, a novel that manages to capture all of Atwood’s superb skills in one.